Land of Sin (Swedish title: Synden, “The Sin”) has reached the top of Netflix’s global ranking for non-English-language TV series, after recording 3.2 million views worldwide in the latest weekly chart.
The five-episode crime miniseries, released on 2 January 2026, follows Malmö detectives Dani and Malik as they investigate a case in rural Skåne (Scania) that quickly exposes long-running local tensions and family loyalties.
How Land of Sin became Netflix’s most-watched non-English series
Netflix’s weekly Top 10 list placed Land of Sin at number one among non-English TV series for the week starting 5 January 2026, ahead of other global titles.
Netflix reports “views” as a standardised metric based on total watch time divided by a title’s runtime, allowing comparisons across series with different episode lengths. While the figure does not reveal completion rates or audience demographics, the number signals broad international reach for a Swedish-language production in a crowded streaming landscape.

A Nordic noir set in Skåne, with a personal stake for the lead detective
The series is created, written and directed by Peter Grönlund. It centres on Dani, a police officer whose professional role is complicated by personal ties to the community under investigation. Together with her colleague Malik, Dani travels from Malmö to a tight-knit rural village where the case unfolds across family networks and longstanding grievances.
Set in the Scanian countryside, Land of Sin draws on familiar Nordic noir elements—small communities, layered relationships, and social pressure—while focusing on how a single investigation can become entangled with questions of responsibility, loyalty and power.
A short-format release built for global streaming audiences
Unlike longer Scandinavian crime series designed for multiple seasons, Land of Sin is a limited series with five episodes, released as a complete package on Netflix. That structure fits a global viewing pattern in which audiences often favour compact stories that can be watched quickly.
The show’s entry into Netflix’s worldwide non-English chart also reflects the platform’s strategy of promoting local-language dramas internationally—especially crime titles, which remain among the most consistently exportable formats across markets.





